DRAWING

Untitled Sketch

, May 20, 2024

Untitled Sketch – Pencil, ink, digital.

Anthropic XV

, February 19, 2024

Anthropic XV – Ink on Plexiglass – 120x90cm

Anthropic

adjective
(in philosophy and cosmology) involving or concerning the existence of human life, especially as a constraint on the theories of the universe.

Anthropic XIV

, February 19, 2024

Anthropic XIV – Ink on Plexiglass – 120x90cm

Anthropic

adjective
(in philosophy and cosmology) involving or concerning the existence of human life, especially as a constraint on the theories of the universe.

Anthropic VIII

, January 5, 2024

Anthropic VIII – Ink on Plexiglass – 56x42cm

Anthropic

adjective
(in philosophy and cosmology) involving or concerning the existence of human life, especially as a constraint on the theories of the universe.

Psyche XXVIII

, February 23, 2023

“Psyche XXVIII” Acrylic on plexiglass, 30×22.5cm

Psyche XXVII

, February 9, 2023

“Psyche XXVII” Acrylic on plexiglass, 30×22.5cm

EXHIBITION CATALOGUE – Psyche – A Portrait of the Mind

, January 25, 2022

Fragment LXI

, October 9, 2019

“Fragment LXI” – Ink and Acrylic on Perspex, 160x120cm.

Study for a Fragment VIII

, November 9, 2017

“Study for a Fragment VIII” – Ink on scratched plastic, 40x30cm, unique.

These studies are an opportunity for me to experiment with printmaking and drawing techniques. Drawing is my first passion and is essential for me to understand the line, shape and volume of my subject.

Study for a Fragment VII

, September 30, 2017

“Study for a Fragment VII” – Ink on scratched plastic, 40x30cm, unique.

These studies are an opportunity for me to experiment with printmaking and drawing techniques. Drawing is my first passion and is essential for me to understand the line, shape and volume of my subject.

Study for a Fragment VI

, September 30, 2017

“Study for a Fragment VI” – Ink on scratched plastic, 40x30cm, unique.

These studies are an opportunity for me to experiment with printmaking and drawing techniques. Drawing is my first passion and is essential for me to understand the line, shape and volume of my subject.

Study for a Fragment V

, September 30, 2017

“Study for a Fragment V” – Ink on scratched plastic, 40x30cm, unique.

These studies are an opportunity for me to experiment with printmaking and drawing techniques. Drawing is my first passion and is essential for me to understand the line, shape and volume of my subject.

Study for a Fragment IV

, , April 3, 2017

“Study for a Fragment IV” – Etching, 40x30cm, Edition of 10.

These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.

Study for a Fragment III

, , March 10, 2017

“Study for a Fragment III” – Etching, 40x30cm, Edition of 10.

These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.

Study for A Fragment II

, , March 10, 2017

“Study for a Fragment II” – Etching, 40x30cm, Edition of 10.

These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.

Study for a Fragment I (Third State)

, , March 10, 2017

“Study for a Fragment I (Third State)” – Drypoint, 40x30cm.

These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.

Cast XXXI

, October 14, 2016

“Cast XXXI’ – Ink monotype on glass + shadow on card, 30×22.5cm

Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.

The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.

Cast XXIX

, October 14, 2016

“Cast XXIX’ – Ink monotype on glass + shadow on card, 30×22.5cm

Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.

The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.

Cast XXIII

, October 14, 2016

“Cast XXIII’ – Ink monotype on glass + shadow on card, 30×22.5cm

Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.

The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.

Cast XIII

, September 5, 2016

“Cast XIII’ – Ink monotype on glass + shadow on card, 30×22.5cm

Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.

The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.

Cast I

, March 30, 2016

“Cast I’ – Ink monotype on plastic + shadow on card, 30×22.5cm

Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.

The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.