DRAWING
Fragment LXI
Study for a Fragment VIII
Study for a Fragment VII
Study for a Fragment VI
Study for a Fragment V
Study for a Fragment IV
Study for a Fragment III
Study for A Fragment II
Study for a Fragment I (Third State)
Cast XXXIX
Cast XXXVII
Cast XXXIV
Cast XXXI
Cast XXIX
Cast XXIII
Cast XVIII
Cast XVII
Cast XIII
Cast XII
Cast IX
Cast VII
Cast V
Cast I
Fragment LXI
“Fragment LXI” – Ink and Acrylic on Perspex, 160x120cm.
Study for a Fragment VIII
“Study for a Fragment VIII” – Ink on scratched plastic, 40x30cm, unique.
These studies are an opportunity for me to experiment with printmaking and drawing techniques. Drawing is my first passion and is essential for me to understand the line, shape and volume of my subject.
Study for a Fragment VII
“Study for a Fragment VII” – Ink on scratched plastic, 40x30cm, unique.
These studies are an opportunity for me to experiment with printmaking and drawing techniques. Drawing is my first passion and is essential for me to understand the line, shape and volume of my subject.
Study for a Fragment VI
“Study for a Fragment VI” – Ink on scratched plastic, 40x30cm, unique.
These studies are an opportunity for me to experiment with printmaking and drawing techniques. Drawing is my first passion and is essential for me to understand the line, shape and volume of my subject.
Study for a Fragment V
“Study for a Fragment V” – Ink on scratched plastic, 40x30cm, unique.
These studies are an opportunity for me to experiment with printmaking and drawing techniques. Drawing is my first passion and is essential for me to understand the line, shape and volume of my subject.
Study for a Fragment IV
“Study for a Fragment IV” – Etching, 40x30cm, Edition of 10.
These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.
Study for a Fragment III
“Study for a Fragment III” – Etching, 40x30cm, Edition of 10.
These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.
Study for A Fragment II
“Study for a Fragment II” – Etching, 40x30cm, Edition of 10.
These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.
Study for a Fragment I (Third State)
“Study for a Fragment I (Third State)” – Drypoint, 40x30cm.
These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.
Cast XXXIX
“Cast XXXIX’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast XXXVII
“Cast XXXVII’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast XXXIV
“Cast XXXIV’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast XXXI
“Cast XXXI’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast XXIX
“Cast XXIX’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast XXIII
“Cast XXIII’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast XVIII
“Cast XVIII’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast XVII
“Cast XVII’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast XIII
“Cast XIII’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast XII
“Cast XII’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast IX
“Cast IX’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast VII
“Cast VII’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast V
“Cast V’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast I
“Cast I’ – Ink monotype on plastic + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.