PRINTMAKING

EXHIBITION CATALOGUE – Psyche – A Portrait of the Mind

, January 25, 2022

Fragment LXV

, March 26, 2020

Fragment LXV, woodcut & monoprint, 40x30cm

Psyche XV

, March 4, 2019

“Psyche XV” Drypoint & Carborundum, 40x30cm.

Psyche XIV

, February 27, 2019

“Psyche XIV” Woodcut, 40x30cm.

Psyche XIII

, February 8, 2019

“Psyche XIII” Drypoint, 40x30cm.

Psyche VII

, October 15, 2018

“Psyche VII” Drypoint, 40x30cm.

Psyche VI

, October 5, 2018

“Psyche VI” Monoprint, 40x30cm

Psyche V

, September 27, 2018

“Psyche V” Woodcut, 40x30cm.

Psyche II

, August 7, 2018

“Psyche II (Starling)” – Drypoint print on plaster, 28x21cm.

Study for a Fragment IV

, , April 3, 2017

“Study for a Fragment IV” – Etching, 40x30cm, Edition of 10.

These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.

Study for a Fragment III

, , March 10, 2017

“Study for a Fragment III” – Etching, 40x30cm, Edition of 10.

These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.

Study for A Fragment II

, , March 10, 2017

“Study for a Fragment II” – Etching, 40x30cm, Edition of 10.

These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.

Study for a Fragment I (Third State)

, , March 10, 2017

“Study for a Fragment I (Third State)” – Drypoint, 40x30cm.

These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.