PRINTMAKING
Self-Portrait Study [£400]
Anthropic XV [£2000]
Anthropic XIV [£2000]
Anthropic VIII [£500]
EXHIBITION CATALOGUE – Psyche – A Portrait of the Mind
Fragment LXV [£600]
Fragment LXI [SOLD]
Psyche XV [£600]
Psyche XIV [£600]
Psyche XIII [£600]
Psyche VII [£600]
Psyche VI [£600]
Psyche V [£600]
Psyche II [SOLD]
Study for a Fragment VIII [SOLD]
Study for a Fragment VII [SOLD]
Study for a Fragment VI [£500]
Study for a Fragment V [SOLD]
Study for a Fragment IV [SOLD]
Study for a Fragment III [£600]
Study for A Fragment II [SOLD]
Study for a Fragment I (Third State) [SOLD]
Cast XXXI [SOLD]
Cast XXIX [SOLD]
Cast XXIII [SOLD]
Cast XIII [SOLD]
Cast I [SOLD]
Self-Portrait Study [£400]
Self-Portrait Study #1, monoprint on paper laid on board, 40x30cm.
Anthropic XV [£2000]
Anthropic XV – Ink on Plexiglass – 120x90cm
Anthropic
adjective
(in philosophy and cosmology) involving or concerning the existence of human life, especially as a constraint on the theories of the universe.
Anthropic XIV [£2000]
Anthropic XIV – Ink on Plexiglass – 120x90cm
Anthropic
adjective
(in philosophy and cosmology) involving or concerning the existence of human life, especially as a constraint on the theories of the universe.
Anthropic VIII [£500]
Anthropic VIII – Ink on Plexiglass – 56x42cm
Anthropic
adjective
(in philosophy and cosmology) involving or concerning the existence of human life, especially as a constraint on the theories of the universe.
EXHIBITION CATALOGUE – Psyche – A Portrait of the Mind
Fragment LXV [£600]
Fragment LXV, woodcut & monoprint, 40x30cm
Fragment LXI [SOLD]
“Fragment LXI” – Ink and Acrylic on Perspex, 160x120cm.
Psyche XV [£600]
“Psyche XV” Drypoint & Carborundum, 40x30cm.
Psyche XIV [£600]
“Psyche XIV” Woodcut, 40x30cm.
Psyche XIII [£600]
“Psyche XIII” Drypoint, 40x30cm.
Psyche VII [£600]
“Psyche VII” Drypoint, 40x30cm.
Psyche VI [£600]
“Psyche VI” Monoprint, 40x30cm
Psyche V [£600]
“Psyche V” Woodcut, 40x30cm.
Psyche II [SOLD]
“Psyche II (Starling)” – Drypoint print on plaster, 28x21cm.
Study for a Fragment VIII [SOLD]
“Study for a Fragment VIII” – Ink on scratched plastic, 40x30cm, unique.
These studies are an opportunity for me to experiment with printmaking and drawing techniques. Drawing is my first passion and is essential for me to understand the line, shape and volume of my subject.
Study for a Fragment VII [SOLD]
“Study for a Fragment VII” – Ink on scratched plastic, 40x30cm, unique.
These studies are an opportunity for me to experiment with printmaking and drawing techniques. Drawing is my first passion and is essential for me to understand the line, shape and volume of my subject.
Study for a Fragment VI [£500]
“Study for a Fragment VI” – Ink on scratched plastic, 40x30cm, unique.
These studies are an opportunity for me to experiment with printmaking and drawing techniques. Drawing is my first passion and is essential for me to understand the line, shape and volume of my subject.
Study for a Fragment V [SOLD]
“Study for a Fragment V” – Ink on scratched plastic, 40x30cm, unique.
These studies are an opportunity for me to experiment with printmaking and drawing techniques. Drawing is my first passion and is essential for me to understand the line, shape and volume of my subject.
Study for a Fragment IV [SOLD]
“Study for a Fragment IV” – Etching, 40x30cm, Edition of 10.
These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.
Study for a Fragment III [£600]
“Study for a Fragment III” – Etching, 40x30cm, Edition of 10.
These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.
Study for A Fragment II [SOLD]
“Study for a Fragment II” – Etching, 40x30cm, Edition of 10.
These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.
Study for a Fragment I (Third State) [SOLD]
“Study for a Fragment I (Third State)” – Drypoint, 40x30cm.
These studies are an opportunity for me to experiment with the printmaking techniques of etching. The prints bridge the gap between my initial idea and starting a painting. Drawing allows me to answer compositional questions and is essential for me to understand the line, shape and volume of my subject.
Cast XXXI [SOLD]
“Cast XXXI’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast XXIX [SOLD]
“Cast XXIX’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast XXIII [SOLD]
“Cast XXIII’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast XIII [SOLD]
“Cast XIII’ – Ink monotype on glass + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.
Cast I [SOLD]
“Cast I’ – Ink monotype on plastic + shadow on card, 30×22.5cm
Further experiments using traditional techniques in unconventional ways have resulted in the Cast series.
The single, continuous, rapidly drawn line appears suspended, and the shadow it casts encourages the viewer to look beyond the surface, behind the mask.